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Australian Literary and Scholarly Publishing in Its International Context

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Excavating a Bonanza: Sarah Campion

The Sun’s Fish Dreaming : The Poetry of Andrew Taylor

‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

Elizabeth Jolley’s Late Work

Conceptual Poetry, Nonconceptual Poetry, Postconceptual Poetry

Local Moderns: The Jindyworobak Movement and Australian Modernism

‘The Kingdom of Dust’: *Voss* as Planetary Epic

Malley and Campalans: Apocryphal Modernists Yearning for Recognition

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

Patrick White’s *The Vivisector*: The Artist in Relation to His Art

Review of *Unnatural Lives: Studies in Australian Fiction about the Convicts, from James Tucker to Patrick White* by Laurie Hergenhan

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Review of *Christopher Brennan: A Critical Biography* by Axel Clark

Review of *Quadrant: Twenty-Five Years' ed. Peter Coleman, Lee Shrubb, Vivian Smith, and *A Possible Contemporary Poetry* ed. Martin Duwell

The Rise of the Prisoner-of-War Writers

Review of six recent critical studies of Patrick White