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The Eco-Humanities as Literature: A New Genre?

Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Beyond Capricornia: Ambiguous Promise in Alexis Wright

‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional Readers

‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic Primitivism

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

‘How to encourage our literature’: Australian Fiction in the Australian Public Library

Delight and Revolution: Literary Studies, Aesthetics and Ideology

Disciplined Action? The Challenges of English at Canterbury and Beyond

The Impact of Literature

In the Club: Australian Crime Fiction in the USA 1943-1954

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’

Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

H. G. Wells in Australia

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*

‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*