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- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- William Baylebridge : Man’s Voice Proclaiming ManEssay1 June 1964
- Xavier Herbert: *Capricornia*Essay1 October 1970
- D. H. Lawrence’s AustraliaEssay1 October 1970
- The Traditionalism of James McAuleyEssay1 October 1983
- David Campbell’s Poetic MindEssay1 October 1984
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- The Poetry of Les MurrayEssay1 May 1985
- A Checklist of Australian Literature of the First World WarEssay1 October 1985
- Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical NovelEssay1 May 1986
- Anthologies and OrthodoxiesEssay1 May 1987
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- A.B. Facey’s Australian AutobiographyEssay1 May 1987
- Shirley Hazzard: Transit and *The Bay of Noon*Essay1 October 1987
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- David Malouf’s *Child’s Play* and ‘The Death of the Author’Essay1 May 1988
- Impossible Literary HistoriesEssay1 October 2010
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Centre of Fierceness: Francis Webb’s Vision of the ArtistEssay1 October 1975
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972