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Displaced Selves in Contemporary Fiction, or the Art of Literary Activism

**Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**

Under the Angle: Memory, History, and Dance in Nineteenth-Century Medievalism

Cosmopolitanism, Sovereignty and Medievalism

Grievous Music: Randolph Stow’s Middle Ages

Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*

Wartime Reading: Romantic Era Military Periodicals and the Edinburgh Review

Les Murray’s Talking Mosaics

Christina Stead’s Student Publications

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*

Politics and Passion in Stead’s Late Novels

Annual Bibliography of Studies in Australian Literature: 1983

A Lost Satire on the 1890s *Bulletin* Writers and Bohemians

Challenging the Editing of the Rachel Henning Letters

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

Introduction: The Uses of Irish-Australian Literature

Porous Realism and the Precarious Home in Ruth Park’s Fiction

Transforming *Jane Eyre*: Its Australian Stage Adaptations

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

Jack Lindsay’s Historical Writings