Displaced Selves in Contemporary Fiction, or the Art of Literary Activism
Tony Simoes da Silva writes: ‘I explore how at times well-intentioned work is undermined by the very knowledge it seeks to create, and by the vocabulary in which it aims to do so. I have in mind in this instance a recent anthology edited by well-known Australian authors Thomas Keneally and Rosie Scott, *A Country Too Far* (2013). As I aim to show in a discussion of selected texts, the book is a significant example of the ways in which a desire to have an impact and the best of intentions do not always have the intended outcome’ (66).
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