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- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and CanadaEssay1 October 2006
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- Christina Stead’s Student PublicationsEssay7 December 2016
- *His Natural Life* and Its SourcesEssay1 May 1971
- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- The Short Stories of Judith WrightEssay1 June 1963
- The Historical Basis of For the Term of His Natural LifeEssay1 December 1963
- The Redemptive Theme in *His Natural Life*Essay1 June 1965
- James Lester Burke, Author of *Martin Cash*Essay1 June 1965
- Review of *Kenneth Slessor* and *The Banjo of the Bush: The Work, Life and Times of A.B. Paterson* by Clement SemmlerReview1 June 1967
- Review of *Double Agent: David Ireland and His Work* by Helen DanielReview1 May 1983