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- The Craftsmanship of Lawson RevisitedEssay1 October 1976
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004