‘Maurice Guest’ and the Siren Voices
Stewart examines the European influence on Maurice Guest and demonstrates how Richardson extended and developed the techniques of J. P Jacobsen and others. Stewart explores the Nietzschean view presented through the actions of Maurice and Schilsky, demonstrating how their humanity influences a convergence or divergence from the characteristics of Neitzsche’s artist-genius.
Published 1 October 1972 in Volume 5 No. 4.