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- **The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**Essay30 April 2021
- Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences FrontierEssay30 October 2023
- **Australian Triptych in Chinese-Language Migrant Fiction: Three Tales, Three Periods, Three Images**Essay15 December 2025
- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- D. H. Lawrence’s AustraliaEssay1 October 1970
- Literary Nationalism and the 1890sEssay1 May 1971
- Barbara Baynton: Woman as ‘The Chosen Vessel’Essay1 May 1983
- War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les MurrayEssay1 October 1985
- Asian Stereotypes in Recent Australian PlaysEssay1 May 1985
- Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*Essay1 October 1986
- John Tranter: Absence in FlightEssay1 October 1986
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- Barry Oakley and the Satiric ModeEssay1 May 1975
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997