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John Tranter

‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*

Authors’ Statements [Gerard Lee]

[Statement]

Editors’ Statements [Stephen Murray-Smith]

Review of *Gwen Harwood* ed. Robert Sellick; and *Reading Australian Poetry* by Andrew Taylor

Don’o Kim

Vicki Viidikas

John Forbes

Review of *Along the Faultlines: Sex, Race and Nation in Australian Women's Writing, 1880s-1930s* by Susan Sheridan, and *Writing the Colonial Adventure: Race, Gender and Nation in Anglo-Australian Popular Fiction, 1875-1914* by Robert Dixon

An Excellent Teacher and Lover of Literature: Elizabeth May Perkins O.A.M.

Review of *The Experimental Fiction of Murray Bail* by Michael Ackland

Editors’ Statements [Douglas Stewart]

Interview with Randolph Stow

Review of *Bards, Bohemians, and Bookmen: Essays in Australian Literature* ed. Leon Cantrell, *Letters of Vance and Nettie Palmer 1915-1963*, ed. Vivian Smith, and *A Critical History of South Australian Literature 1836-1930* by Paul Depasquale

Interview with Christina Stead

Review of *Liars: Australian New Novelists*, by Helen Daniel

Review of *Henry Handel Richardson*, by Michael Ackland, *Henry Handel Richardson*, edited by Susan Lever and Catherine Pratt, and *The Tomis Complex: Exile and Eros in Australian Literature*, by Irina Grigorescu Pana

On Appropriation: Two Novels of Dark and Barnard Eldershaw

Review of *Not Wrong - Just Different: Observations on the Rise of Contemporary Australian Theatre*, by Katharine Brisbane