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- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- Reading DickensEssay1 October 2014
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021
- Patrick White’s Studies for *Voss*Essay30 September 2022
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary NarrativesEssay1 June 2010
- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*Essay25 February 2018
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016