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- The Drowned World of Kenneth SlessorEssay1 May 2001
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- Recollections Through English SpectaclesEssay1 October 1979
- ‘Having Fun with the Professors’: Gwen Harwood and Doctor EisenbartEssay26 February 2017
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Kendall’s Views on Contemporary Writers : A Survey of His CorrespondenceEssay1 June 1964
- Annual Bibliography of Studies in Australian Literature : 1964Essay1 June 1965
- Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*Essay1 October 1971
- Review of *The Poetical Works of Charles Harpur', ed. Elizabeth PerkinsReview1 October 1984
- Sheer Voice and Fidget Wheels: A Study of 'Five Bells'Essay1 May 1988
- Small Presses and Little Magazines in the 1970sEssay1 October 1980
- Annual Bibliography of Studies in Australian Literature: 1996Essay1 May 1997
- Reading *My Brilliant Career*Essay1 October 2002
- My Brilliant Career and RadicalismEssay1 October 2002
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016Essay9 July 2018
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- A.G. Stephens as Editor of Barcroft Boake’s Poems : A CommentEssay1 May 1969
- Review of *Miles Franklin* by Marjorie BarnardReview1 May 1969
- ‘The Ram of Albury’Essay1 October 1969