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- ‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of TranslationEssay1 October 2013
- Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*Essay1 October 2013
- Poetry, Activism and Cultural CapitalEssay1 November 2013
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- Interview with Randolph StowEssay1 May 1982
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and FlushEssay1 June 2010
- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010
- Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius BarbeauEssay1 November 2010
- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional VerseEssay1 June 2014
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013