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- Shaw Neilson and Mary GilmoreEssay1 October 1972
- A.D. Hope’s ‘The Double Looking Glass’: A ReadingReview1 October 1974
- Jimmy Governor and Jimmie BlacksmithEssay1 May 1979
- Narrative Technique in LawsonEssay1 May 1980
- Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*Essay1 June 1991
- An Interview with Tim WintonEssay1 October 1996
- Spatialised Time and Circular Time: A Note on Time in the Work of Gerald Murnane and Jorge-Luis BorgesEssay1 October 1997
- Review of *The Prose of Christopher Brennan*, edited by A. R. Chisholm and J. J. QuinnReview1 December 1963
- Dancing ‘on Bits of Paper’ : Les Murray’s SoundscapesEssay1 October 2001
- ‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku VersionsEssay1 October 2006
- Indigenous Sovereignty in the Poetry of Romaine MoretonEssay1 October 2009
- ‘Tribute’: An Unknown Poem by Mary GilmoreEssay1 October 2012
- Review of *Ink in Her Veins: The Troubled Life of Aileen Palmer*, by Sylvia MartinReview19 December 2019
- Henry Lawson: The New Zealand VisitsEssay1 May 1968
- Authors’ Statements [T. A. G. Hungerford]Essay1 October 1981
- Editors’ Statements [Craig Munro]Essay1 October 1981
- [Keeping Up Appearances]Essay1 October 1982
- The Public Image of John Shaw NeilsonEssay1 May 1986
- Some Sources of *White Stag of Exile*Essay1 May 1986
- A Link with Late Nineteenth-Century Decadence in ‘Maurice Guest’Essay1 October 1972