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Patrick White’s *The Vivisector*: The Artist in Relation to His Art

‘Down at the Dump’ and Lacan’s Mirror Stage

Literary Cousins: *Nuns in Jeopardy* and *Picnic at Hanging Rock*

Review of *Miles Franklin in America: Her Unknown (Brilliant) Career* by Verna Coleman

Review of *The Archibald Paradox: A Strange Case of Authorship* by Sylvia Lawson

Fact and Fiction: The Scissors and Paste Job

Review of *Louisa* by Brian Matthews

Fishing at Sundown

Don’o Kim

‘Eyre All Alone’: Francis Webb as Mythmaker

Review of *Thirty Years in Australia*, *Ada Cambridge: Her Life and World 1844-1926*, *Rattling the Orthodoxies: A Life of Ada Cambridge*, *Pioneer Writer: The Life of Louisa Atkinson: novelist, journalist, naturalist*, and *Bengala or Some Time Ago*

Review of *Christina Stead: A Biography*, by Hazel Rowley

Stanzas at Leisure from Neglect

New Directions Via *A Body of Water*

Judith Wright: Corrections to Biographical Errors

How Newness (Not) Comes into the World: Eva Rask Knudsen’s *The Circle and the Spiral*

Challenging Voices: Tracing the Problematic Role of Testimony in Political Change

**‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**

The Hero’s ‘Fear of Freedom’ in Keneally

The Traditionalism of James McAuley