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- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- *The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s PoetryEssay1 May 2011
- The Return of the Fairy: Australian Medievalist Fantasy for the YoungEssay1 October 2011
- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- ‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of TranslationEssay1 October 2013
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Shannon’s Information Theory, AI, and FictionEssay22 December 2025
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Introduction: The Uses of Irish-Australian LiteratureEssay30 September 2021
- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- What Created, What Perceived?: Early Responses to New South WalesEssay1 October 1975
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. AkhurstEssay1 October 2011
- R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary CultureEssay1 June 2014
- ‘A Window of Life’: Essays on Ruth ParkEssay3 October 2024
- Colonial Violence and Forgotten FictionEssay1 June 2009