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- The Usable Past: Australian War Fiction of the 1950sEssay1 October 1985
- The Poetry of Les MurrayEssay1 May 1985
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*Essay1 May 1986
- Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*Essay1 October 1986
- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- Anthologies and OrthodoxiesEssay1 May 1987
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- Catherine Martin, Writer: Her Life and IdeasEssay1 October 1987
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- Nationalism before Nationhood: Overseas Horizons in Debates of the 1880sEssay1 October 1990
- Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth CenturyEssay30 June 2015
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991