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- Friendship in a Time of LonelinessEssay1 May 2009
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- *The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s PoetryEssay1 May 2011
- ‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print CultureEssay1 October 2014
- Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael WeaverReview30 April 2021
- English Studies in Australia: Repositioning the SubjectEssay1 June 2013
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013
- Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary NarrativesEssay1 June 2010
- Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*Essay2 May 2023
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the WarsEssay1 October 2014
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- ‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick BourkeEssay23 May 2022
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- Review by Julian CroftReview1 May 1982
- The Drama of the Separate Self in Rae Desmond Jones’ The Mad VibeEssay1 October 1979
- Christina Stead’s Student PublicationsEssay7 December 2016