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- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Folksong - A ProtestEssay1 June 1966
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- Barbara Baynton: Woman as ‘The Chosen Vessel’Essay1 May 1983
- A New Map of Australia: The Plays of David WilliamsonEssay1 May 1984
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- John Tranter: Absence in FlightEssay1 October 1986
- A.B. Facey’s Australian AutobiographyEssay1 May 1987
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- David Malouf’s *Child’s Play* and ‘The Death of the Author’Essay1 May 1988
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- ‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s FictionEssay1 October 1989
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Truth beyond the Language Game: The Poetry of Gwen HarwoodEssay1 May 1976
- Some Mary Gilmore LettersEssay1 October 1972