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- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- Christina Stead’s Earliest PublicationsEssay7 December 2016
- The Redemptive Theme in *His Natural Life*Essay1 June 1965
- Annual Bibliography of Studies in Australian Literature : 1965Essay1 June 1966
- Annual Bibliography of Studies in Australian Literature : 1969Essay1 May 1970
- Getting Started: The Emergence of Christina Stead’s Early FictionEssay1 October 1987
- Annual Bibliography of Studies in Australian Literature: 1974Essay1 May 1975
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972
- Christina Stead: An InterviewEssay1 May 1974
- John Grant: Australia’s First ‘Really’ Radical PoetEssay1 May 1994
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- Wilde Identifications: Queering the Sexual and the National in the Work of Eve LangleyEssay1 October 2002
- Some Versions of Manifold: Brisbane and the ‘Myth’ of John ManifoldEssay1 October 2003