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Parliamentary Medievalism: The Australian Magna Carta as Secular Relic

Books as Gifts: The Meaning and Function of a Personal Library

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Christina Stead’s Student Publications

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect

Eurydice’s Curse: J. M. Coetzee and the Prospect of Death

Short Fiction Short Nation: The Ideologies of Australian Realism

Politics and Passion in Stead’s Late Novels

The D.H. Lawrence - P.R. Stephensen Letters

Annual Bibliography of Studies in Australian Literature: 1987

Annual Bibliography of Studies in Australian Literature: 1988

Annual Bibliography of Studies in Australian Literature: 1997

Thea Astley’s *An Item from the Late News*: A Fictional Fifth Gospel

Mal du Pays: Symbolic Geography in the Work of Randolph Stow

Annual Bibliography of Studies in Australian Literature: 1995