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Tasma’s First Publication

Translating *Fredy Neptune*: Interview with Thomas Eichhorn

Australian Literary Studies in the 1940s: The Commonwealth Literary Fund Lectures

Vance and Nettie Palmer: The Literary Journalism

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

Reading Carey Reading Malley

‘Talking with Yagan’s Head’: The Poetry of John Mateer

Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

On Appropriation: Two Novels of Dark and Barnard Eldershaw

Review of *The American Model: Influence and Independence in Australian Poetry* ed. Joan Kirkby, and *Cross Currents: Magazines and Newspapers in Australian Literature* ed. Bruce Bennett

Charles Reade, Wilkie Collins, and Marcus Clarke

‘Eyre All Alone’: Francis Webb as Mythmaker

‘Sweet Mary of Kilmore’: Discrimination in Australian Folklore Scholarship

‘Interest’ in Les A. Murray

The Support of Literature in Colonial Australia

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*