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- ‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.Essay28 April 2020
- Annual Bibliography of Studies in Australian Literature: 1988Essay1 May 1989
- Annual Bibliography of Studies in Australian Literature: 1992Essay1 May 1993
- Annual Bibliography of Studies in Australian Literature: 1998Essay1 May 1999
- Introduction: AI and the Future of Literary StudiesEssay22 December 2025
- The Making of Thomas KeneallyEssay30 May 2015
- Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016Essay9 July 2018
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- Mateship, Individualism and the Production of Character in Australian FictionEssay1 October 1984
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- The One-Actor Play in Australian DramaEssay1 May 1981
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- Towards a History of Literary Programming on ABC RadioEssay29 October 2020
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998