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Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

Helen Garner’s Education

Defining the Field of Irish-Australian Literature: Challenges and Conundrums

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia

‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary Criticism

Introduction

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

Literary Nationalism and the 1890s

Review of *Vance Palmer* by Harry Heseltine

The Development of an Egalitarian Poetics in the Bulletin, 1880-1890

Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*

The Traditionalism of James McAuley

Asia, Europe and Australian Identity: The Novels of Christopher Koch

God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’

Discoveries and Transformations: Aspects of David Malouf’s Work

Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*

Anthologies and Orthodoxies

A.B. Facey’s Australian Autobiography