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- Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael WeaverReview30 April 2021
- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013
- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- Green or Greed? Review of *The Littoral Zone*, by CA Cranston and Robert ZellerReview1 June 2010
- Notes on the Early Unpublished Manuscripts of Peter CareyEssay1 October 2010
- Review of *In Due Season: Australian Literary Studies: A Personal Memoir*, by Harry HeseltineReview1 October 2010
- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- ‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of TranslationEssay1 October 2013
- Review of *Angus & Robertson and the British Trade in Australian Books, 1930-1970. The Getting of Bookselling Wisdom*, by Jason D. EnsorReview1 October 2014
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with JoyceEssay25 February 2018
- **The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**Essay30 April 2021
- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- Review of On Native Grounds, Meanjin Quarterly Index 1940-65, and The Vital DecadeReview1 May 1970
- Review by Julian CroftReview1 May 1982
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016