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‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada Cambridge

The Structure of Frederic Manning’s War Novel *Her Privates We*

Daniel Deniehy: A Checklist of Writings and Speeches

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

A Reconsideration of Christina Stead at Work: Fact into Fiction

Ern Malley and His Rivals

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

The Literary Reputation of Adam Lindsay Gordon

Reading (in/and) *Miranda*

Future Tense: *Dead Europe* and Viral Anti-Semitism

Of Sages and Sybils: Alec Hope and Judith Wright

Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony Lawrence

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

The Impact of Literature

In the Club: Australian Crime Fiction in the USA 1943-1954

Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the Wars

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*

Towards a Reassessment of the MSS of Shaw Neilson