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The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony Lawrence

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic Primitivism

Displaced Selves in Contemporary Fiction, or the Art of Literary Activism

Daemonic Currents in Dorothy Porter’s Poetry

Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the Wars

Shannon’s Information Theory, AI, and Fiction

‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception

Displaced Homelands in Gerald Murnane’s *Inland*

Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*

Writing Disability in Australia: Transmedial Potentials for Illness/Recovery Narratives

Fantasising the Nation for Child Readers in Early Australian Fairy Tales

Introduction: The Uses of Irish-Australian Literature

‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*

Porous Realism and the Precarious Home in Ruth Park’s Fiction