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- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- Havelock Ellis’s Australian IdyllEssay1 June 1967
- Some Recent Australian Plays, and Problems of Their CriticismEssay1 October 1967
- A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)Essay1 May 1983
- Lawler’s Demythologizing of the Doll: Kid Stakes and Other TimesEssay1 May 1986
- From the Sudan to Saigon: A Critical Review of Historical WorksEssay1 October 1985
- Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*Essay1 May 1986
- Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical NovelEssay1 May 1986
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- *Ralph Rashleigh*: A Convict DreamEssay1 May 1976
- Some Mary Gilmore LettersEssay1 October 1972
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- Old Orders, New Lands: The Earth Spirit in Picnic at Hanging RockEssay1 May 1978
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Gossip and History in the Novels of Brian Penton and Thomas KeneallyEssay1 October 1990
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991