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Introduction: Writing Disability in Australia

‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919

Gerald Murnane’s Class: A Review of *Murnane*, by Emmett Stinson

Review of *Time, Tide and History: Eleanor Dark’s Fiction, edited by Fiona Morrison and Brigid Rooney*

Short Fiction Short Nation: The Ideologies of Australian Realism

Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural Discourse

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Annual Bibliography of Studies in Australian Literature: 2003

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

Back to Whitton Week: Tracking Tom Keneally's Career

Out of Context: A Study of Thomas Keneally’s Novels

Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

Asia, Europe and Australian Identity: The Novels of Christopher Koch

Discoveries and Transformations: Aspects of David Malouf’s Work

Barry Oakley and the Satiric Mode

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award