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‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku Versions

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

English Studies: A Personal Journey

Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of Performance

Site Unscene: Medial Ideology and the Literary Interface

Review of *Learning to Live with Climate Change: From Anxiety to Transformation* by Blanche Verlie

Rewriting the Past: Exploration and Discovery in *The Transit of Venus*

Gerald Murnane’s Class: A Review of *Murnane*, by Emmett Stinson

'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George Johnston

‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles Franklin

On Not Having Sex: Sumner Locke Elliott and Queer History

Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of Cloudstreet

Writing Disability in Australia: Transmedial Potentials for Illness/Recovery Narratives

Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*

‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*

‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional Readers

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

Displaced Homelands in Gerald Murnane’s *Inland*

Perceptions of the Enemy in Australian War Literature