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Shame in Ruth Park’s Inner Sydney Novels

Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

Towards a History of Literary Programming on ABC Radio

Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000

Repairing Rationality: Max Bense and the Automation of Literature in Post-War Germany

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

Francis Adams: Realism and Sensation in the 1880s

Interview with Kerry Reed-Gilbert

At the Edge: Geography and the Imagination in the Work of David Malouf

Literary Criticism in Australia: A Change of Critical Paradigms?

On Appropriation: Two Novels of Dark and Barnard Eldershaw

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

Henry Lawson and the ‘Pinker of Literary Agents’

Displaying the Monster: Patrick White, Sexuality, Celebrity

Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial Poetry

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)

Jack Lindsay and MI5: More than Surveillance

Interview with Thomas Keneally, Manly, 27 June 2012