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Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

On Appropriation: Two Novels of Dark and Barnard Eldershaw

Patrick White, Saul Bellow and the Problem of Literary Value

Review of *A Tragic Vision: The Novels of Patrick White* by A.M. McCulloch

Voss and His Communications: A Structural Contrast

Mansfield and Richardson: A Short Story Dialectic

Review of *The Poetical Works of Charles Harpur', ed. Elizabeth Perkins

James McAuley’s Captain Quiros

New Light on Ada Cambridge

A Pastoral Reading of Christina Stead’s *Cotters’ England*

An Interview with Judith Rodriguez

Walter and Mary Richardson’s Letters and *The Fortunes of Richard Mahony*

Intricate Knots and Vast Cosmologies: The Poetry of Judith Beveridge

Les Murray: Watching with His Mouth

Rewriting the Past: Exploration and Discovery in *The Transit of Venus*

Capricornia : Seasonal, Diurnal and Colour Patterns

Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian Gray