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‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

The Literary Reputation of Adam Lindsay Gordon

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

Charles Rowcroft, For Example

An R.H. Horne Poem on Burke and Wills

Vincent Buckley’s ‘Stroke’ : A Discussion

Literary Composition on Board a Convict Ship : The ‘Pestonjee Bomanjee Journal’

‘The Nurse and Tutor of Eccentric Minds’ : Some Developments in Lawson’s Treatment of Madness

A Checklist of Kenneth Mackenzie’s Works

Patrick White’s *The Vivisector*: The Artist in Relation to His Art

Harpur’s Notes and Kendall’s Bell Birds

Authors’ Statements [T. A. G. Hungerford]

Review of *The Passing Guest: A Life of Henry Kingsley* by J.S.D. Mellick