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Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*

Littoral Erosion: The Changing Shoreline of Australian Culture

A Paperback Canon: The Australian Pocket Library

Roy Bridge’s Fictions of Van Diemen’s Land

Becoming Native: Australian Novelists and the New Zealand Wars

Mudrooroo: Crafty Imposter or Rebel with a Cause

Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic Modernity

Miles Franklin and ‘The Survivors’

Charismatic Masculinity in David Malouf’s Fiction

Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs Over

Annual Bibliography of Studies in Australian Literature: 1985

Terms of Ambivalence: Cultural Politics and Symbolic Exchange

‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*

‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

Interpretation; or, AI’s Missing Algorithm

Annual Bibliography of Studies in Australian Literature: 1993

Transforming *Jane Eyre*: Its Australian Stage Adaptations

Annual Bibliography of Studies in Australian Literature : 1965