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- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*Essay1 October 1983
- From the Sudan to Saigon: A Critical Review of Historical WorksEssay1 October 1985
- Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*Essay1 October 1986
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- The Support of Literature in Colonial AustraliaEssay1 October 1980
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational RhetoricEssay1 November 2009
- Of Sages and Sybils: Alec Hope and Judith WrightEssay1 May 2009
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- The Politics of English Studies in IndiaEssay1 June 2013
- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- Review of South Pacific Images, Patrick White's Riders in the Chariot, and H.H. Richardson's Maurice GuestReview1 October 1979
- Review of *Twentieth Century Australian Literary Criticism*, edited by Clement SemmlerReview1 May 1968
- Historiography in Melbourne in the Eighteen Seventies and EightiesEssay1 October 1969
- Review of *Unnatural Lives: Studies in Australian Fiction about the Convicts, from James Tucker to Patrick White* by Laurie HergenhanReview1 May 1984
- Editors and Poets: Poetry in Australia 1931-1981Essay1 May 1982
- Research in Progress in Australian Literature [1983]Essay1 October 1983
- Charles Reade, Wilkie Collins, and Marcus ClarkeEssay1 May 1984