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- Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. AkhurstEssay1 October 2011
- Interview with David MaloufEssay1 May 2010
- Creative Acts: Archives, Artifacts and Australian Women’s AutobiographiesEssay1 May 1996
- ‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard MahonyEssay1 October 1993
- From the Harp of Erin to Erin of the Harp with Thomas KeneallyEssay30 May 2015
- Kendall’s Views on Contemporary Writers : A Survey of His CorrespondenceEssay1 June 1964
- Review of *Australian Poets* seriesReview1 December 1964
- The Historical Basis of ‘Robbery Under Arms’Essay1 June 1965
- Romantic Attitudes in *Geoffry Hamlyn*Essay1 December 1965
- The Text of Lawson’s ProseEssay1 December 1966
- Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*Essay1 October 1967
- The Evolution of George Johnston’s David MeredithEssay1 October 1983
- Here Beyond My KnowingEssay1 May 1985
- Voss and His Communications: A Structural ContrastEssay1 October 1982
- John Tranter & Les MurrayEssay1 May 1982
- Interview with Barbara HanrahanEssay1 May 1983
- War Poetry: Myth as De-formation and Re-formationEssay1 October 1985
- *The Watcher on the Cast Iron Balcony*: Hal Porter’s Triumph of Creative ContradictionEssay1 May 1986
- Apollo in George StreetEssay1 October 1986
- Review of *Big-Noting: The Heroic Theme in Australian War Writing* by Robin Gerster, and *Frank Honywood, Private: A Personal Record of the 1914-1918 War, by Eric Patridge, introduced and annotated by Geoffrey SerleReview1 May 1989