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- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016
- Out of Context: A Study of Thomas Keneally’s NovelsEssay1 May 1969
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’Essay1 October 1975
- The Dual Nature of Shaw Neilson’s VisionEssay1 May 1972
- Annual Bibliography of Studies in Australian Literature: 1972Essay1 May 1973
- Christina Stead: A ChecklistEssay1 October 1980
- No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850Essay1 October 1996
- ‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and AnxietyEssay1 November 2000
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- ‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel TurnerEssay1 October 2010
- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Review of Letters of Norman LindsayReview1 October 1979
- Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance NovelsEssay3 December 2018