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- Review of *Banana Bending: Asian Australian and Asian Canadian Literatures*, by Tseen-Ling KhooReview1 May 2005
- Review of *The Convict Theatres of Early Australia 1788-1840*, by Robert JordanReview1 May 2005
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- A New Version of Pastoral: Developments in Michael Wilding’s FictionEssay1 October 1983
- Art as Reflection in Jessica Anderson’s *Tirra Lirra by the River*Essay1 May 1986
- From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian FictionEssay1 May 1987
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- The SnakeEssay1 May 1988
- AncestorsEssay1 May 1988
- Review of *Coming Out From Under: Contemporary Australian Women Writers* by Pam GilbertReview1 May 1989
- Review of *A Manifold Voice: Studies in Commonwealth Literature* by William Walsh; and *Literature in Action: Studies in Continental and Commonwealth Society* by M.C. BradbrookReview1 October 1973
- Christine TownendEssay1 October 1977
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- Oodgeroo’s Work and Its Theatrical PotentialEssay1 November 1994
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005
- The Golden Fish: On Reading J. S. HarryEssay1 October 2005
- Review of *Making Books: Contemporary Australian Publishing*, edited by David Carter and Anne GalliganReview1 May 2009
- ‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of SchizophreniaEssay23 May 2022