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Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

Picturising Patois in *The Sentimental Bloke*

Repairing Rationality: Max Bense and the Automation of Literature in Post-War Germany

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

Annual Bibliography of Studies in Australian Literature : 1984

Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural Discourse

Annual Bibliography of Studies in Australian Literature : 2004

Terms of Ambivalence: Cultural Politics and Symbolic Exchange

Fantasising the Nation for Child Readers in Early Australian Fairy Tales

Irish Republicanism and the Colonial Australian Bushranger Narrative

Recentring Water: Thinking with the Chain of Ponds

A Versatile Career: Ruth Park’s Novels in the American Marketplace

Technologies of Literature: Reading, Judgment, and the Large Language Model

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’