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- Review of Letters of Norman LindsayReview1 October 1979
- The Writing of CapricorniaEssay1 May 1970
- Review of *Nellie Melba, Ginger Meggs and Friends, Essays in Australian Cultural History* ed. Susan Dermody, John Docker and Drusilla ModjeskaReview1 May 1983
- The New Dreamtime : Kath Walker in Australian LiteratureEssay1 May 1973
- Repetition and Menace in Hal Porter’s ‘The Tower’Essay1 May 1973
- Jimmy Governor and Jimmie BlacksmithEssay1 May 1979
- Dancing ‘on Bits of Paper’ : Les Murray’s SoundscapesEssay1 October 2001
- Review of *Learning to Live with Climate Change: From Anxiety to Transformation* by Blanche VerlieReview11 December 2022
- A New Version of Pastoral: Developments in Michael Wilding’s FictionEssay1 October 1983
- Lawler’s Demythologizing of the Doll: Kid Stakes and Other TimesEssay1 May 1986
- David Malouf’s *Child’s Play* and ‘The Death of the Author’Essay1 May 1988
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- An Indian without a CountryEssay1 June 2009
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014