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- An Interview with Christopher KochEssay1 May 1997
- An Interview with Judith RodriguezEssay1 October 1997
- Dancing ‘on Bits of Paper’ : Les Murray’s SoundscapesEssay1 October 2001
- Translating *Fredy Neptune*: Interview with Thomas EichhornEssay1 May 2005
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Walk on the Wild Side : Literature in the Time of CholericEssay1 June 2013
- Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YAEssay23 May 2022
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- Christos Tsiolkas and the Pornographic Logic of Commodity CapitalismEssay1 May 2010
- Review of *Learning to Live with Climate Change: From Anxiety to Transformation* by Blanche VerlieReview11 December 2022
- Teaching the Value of Literature (and Other Paradoxes)Essay30 October 2023
- On Not Having Sex: Sumner Locke Elliott and Queer HistoryEssay19 December 2019
- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- Writing Places in the Spaces of AIEssay22 December 2025
- Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)Essay5 July 2019
- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- Editing A.D. HopeEssay1 October 1986
- Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’Essay1 October 1975