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- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary NarrativesEssay1 June 2010
- Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*Essay2 May 2023
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- Porous Realism and the Precarious Home in Ruth Park’s FictionEssay3 October 2024
- A.G. Stephens: The Critical *Credo*Essay1 December 1964
- The ABC and The Sponsorship of Australian Radio Drama: 1932-1951Essay1 October 1982
- *An Imaginary Life*: The Dimensions of SelfEssay1 May 1989
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- Patrick White’s *A Fringe of Leaves*: History and FictionEssay1 October 1978
- The Drowned World of Kenneth SlessorEssay1 May 2001
- ‘That Wild Run to London’ : Henry and Bertha Lawson in EnglandEssay1 October 2007
- Patrick White, Saul Bellow and the Problem of Literary ValueEssay1 June 2012
- Words, Sticks and Stones: Keneally, Literature and Social ImpactEssay1 November 2013
- Honour the Single Soul: Homage to Randolph Stow (1936-2010)Essay1 May 2011
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs OverEssay15 December 2025
- Shannon’s Information Theory, AI, and FictionEssay22 December 2025
- Thea Astley’s *An Item from the Late News*: A Fictional Fifth GospelEssay29 October 2020