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- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- The Tennysons in Literary AdelaideEssay31 October 2015
- Review of *Colonial Australian Fiction: Character Types, Social Formations and the Colonial Economy*, by Ken Gelder and Rachael WeaverReview25 February 2018
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- The Historical Basis of ‘Robbery Under Arms’Essay1 June 1965
- The Author of *The Hibernian Father*: An Early Colonial PlaywrightEssay1 December 1966
- Australia’s ‘First’ DramatistsEssay1 May 1969
- A Checklist of Australian Literature of World War IEssay1 October 1969
- Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*Essay1 October 1971
- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981
- The Evolution of George Johnston’s David MeredithEssay1 October 1983
- Charles Rowcroft: Information, Corrections, AdditionsEssay1 October 1983
- Review of *A Tragic Vision: The Novels of Patrick White* by A.M. McCullochReview1 October 1984
- Some Volumes of Selected Poems of the 1970sReview1 May 1981
- John Tranter & Les MurrayEssay1 May 1982
- Fathers and Lovers: Three Australian NovelsEssay1 October 1982
- ‘The Loaded Dog’: A CelebrationEssay1 October 1983
- Reminiscences of Kenneth Seaforth Mackenzie and E.L. Grant WatsonEssay1 May 1987
- New Light on Ada CambridgeEssay1 May 1989
- Murnane, Husserl, Derrida: The Scene of WritingEssay1 October 1989