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Phonographic Books and the Late Nineteenth-Century Reader

Writing Places in the Spaces of AI

Shannon’s Information Theory, AI, and Fiction

Christina Stead’s Student Publications

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

Eurydice’s Curse: J. M. Coetzee and the Prospect of Death

Short Fiction Short Nation: The Ideologies of Australian Realism

Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*

Annual Bibliography of Studies in Australian Literature: 1983

Annual Bibliography of Studies in Australian Literature: 1987

Annual Bibliography of Studies in Australian Literature: 2000

Annual Bibliography of Studies in Australian Literature: 1998

Writing Disability in Australia: Transmedial Potentials for Illness/Recovery Narratives

Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*

'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special Issue

Irony Machines: Artificial Intelligence, Literary Language, and the Opacities of Trust

Introduction: AI and the Future of Literary Studies

Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

Perceptions of the Enemy in Australian War Literature