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Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*

Malley and Campalans: Apocryphal Modernists Yearning for Recognition

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Short Fiction Short Nation: The Ideologies of Australian Realism

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

Annual Bibliography of Studies in Australian Literature: 1987

Annual Bibliography of Studies in Australian Literature: 1988

**Aboriginal Mobilities and Colonial Serial Fiction**

Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*

Vincent Buckley, Colonialism and the Problem of Irish-Australian Identity

Irony Machines: Artificial Intelligence, Literary Language, and the Opacities of Trust

A Book By Any Other Name? Towards a Social History of the Book in Aboriginal Australia

Back to Whitton Week: Tracking Tom Keneally's Career

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

Jack Lindsay’s Historical Writings

Annual Bibliography of Studies in Australian Literature : 1965

Annual Bibliography of Studies in Australian Literature : 1970

Annual Bibliography of Studies in Australian Literature : 1982

White Closets, Jangling Nerves and the Biopolitics of the Public Secret