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A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)

War Correspondents in Australian Literature: An Outline

From the Sudan to Saigon: A Critical Review of Historical Works

Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth Century

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Italian Immigrants in Australian Fiction 1900-1950

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

An Indian without a Country

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic Primitivism

**Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**

Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’

Review by Craig Munro

Lawson’s Joe Wilson : A Skeleton Novel

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Repetition and Christina Stead’s *The Man Who Loved Children*

Review of *The Writer in Australia 1856-1964*, edited by John Barnes