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- Review of *Flashing Eyes and Floating Hair: A Reading of Gwen Harwood's Pseudonymous Poetry*, by Cassandra L. AthertonReview1 October 2008
- Review of *A Companion to Australian Literature since 1900*, edited by Nicholas Birns and Rebecca McNeer.Review1 May 2009
- Review of *Making Books: Contemporary Australian Publishing*, edited by David Carter and Anne GalliganReview1 May 2009
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011
- Review of *The Empire Actors: Stars of Australasian Costume Drama 1890s-1920s*, by Veronica KellyReview1 June 2012
- Green or Greed? Review of *The Littoral Zone*, by CA Cranston and Robert ZellerReview1 June 2010
- Review of *J.M. Coetzee and the Paradox of Postcolonial Authorship*, by Jane PoynerReview1 October 2010
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Review of *The Postcolonial Eye: White Australian Desire and the Visual Field of Race*, by Alison RavenscroftReview1 October 2013
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- A Book By Any Other Name? Towards a Social History of the Book in Aboriginal AustraliaEssay1 June 2009
- Christina Stead’s Earliest PublicationsEssay7 December 2016
- *An Imaginary Life*: The Dimensions of SelfEssay1 May 1989
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- Short Story Anthologies and ‘the Solid Body of Australian Fiction’Essay1 May 2000
- O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and CelebrityEssay1 October 2004
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009