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Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

A Reconsideration of Christina Stead at Work: Fact into Fiction

The Fiction of Beverley Farmer

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Evoking Empathy: Structures of Language and Feeling in Robert Gray’s Poetry

Michael Wilding’s Three Centres of Value

Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Australian Literary and Scholarly Publishing in Its International Context

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

The Literary Reputation of Adam Lindsay Gordon

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

The Great Southern Land: Asian-Australian Women Writers Re-View the Australian Landscape

Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*