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- Review of *Convict Words: Language in Early Colonial Australia*, by Amanda Laugesen, and *Chain Letters: Narrating Convict Lives*, edited by Lucy Frost and Hamish Maxwell-StewartReview1 May 2004
- Review of *Read It Again*, by Chris Wallace-CrabbeReview1 May 2007
- A Mate in PublishingEssay1 November 1994
- ‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*Essay1 May 1990
- Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)Essay5 July 2019
- ‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great WarEssay1 October 1985
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- The Sun’s Fish Dreaming : The Poetry of Andrew TaylorEssay1 May 2004
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- *Fredy Neptune*: Metonymy and the Incarnate PrepositionEssay1 October 2001
- Wilde Identifications: Queering the Sexual and the National in the Work of Eve LangleyEssay1 October 2002
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- Bodies that Speak: Mediating Female Embodiment in Tim Winton’s FictionEssay1 June 2012
- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993