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- Review of *Island and Otherland*, by Noel HenricksenReview1 October 2003
- ‘Familiar Compound Spirit’: Review of *Homage to John Forbes*, edited by Ken BoltonReview1 October 2003
- ‘Where the Dead Men Lie’Essay1 May 2006
- Review of *The Convict Theatres of Early Australia 1788-1840*, by Robert JordanReview1 May 2005
- Review of *Marking Feminist Times: Remembering the Longest Revolution in Australia*, by Margaret HendersonReview1 October 2008
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Introduction: Writing Disability in AustraliaEssay23 May 2022
- Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*Essay1 October 2013
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023
- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015
- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015
- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850Essay1 October 1996
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- Review of On Native Grounds, Meanjin Quarterly Index 1940-65, and The Vital DecadeReview1 May 1970
- Review by Julian CroftReview1 May 1982
- Christina Stead’s Student PublicationsEssay7 December 2016
- Short Fiction Short Nation: The Ideologies of Australian RealismEssay2 November 2018
- The Sources of *His Natural Life*Essay1 October 1969
- Research in Progress in Australian Literature [1969]Essay1 October 1969